ABSOLUTE FLASH #8 Review

• Written by: Jeff Lemire

• Art by: Travis Moore

• Colors by: Adriano Lucas

• Letters by: Tom Napolitano

• Cover art by: Nick Robles (cover A)

• Cover price: $4.99

• Release date: October 15, 2025

Absolute Flash #8, by DC Comics on 10/15/25, recounts Barry Allen’s academic beginnings, rekindled experiments, and one fateful invitation into Project Blue Trinity to drive this chapter of the ongoing saga to a startlingly strange finish.

First Impressions

Absolute Flash #8 feels like half a lab report and half a ghost story. It opens with flair and intellectual intrigue but stumbles when spectacle tries to outweigh coherence. The issue’s heart beats loudest when Barry’s haunted curiosity collides with Eobard Thawne’s family legacy, but the flat art nearly drowns that pulse.

Recap

Last issue left Wally West stranded in Missouri, caught between storms, bad luck, and mistrust. Lightning, hunger, and the ghost of Fort Fox pushed him into moral gray zones alongside Grodd and the Rogues. By the end, Wally’s decision to face or flee his past was set against thunder and military pursuit—forcing him toward a confrontation bound to crash into Barry Allen’s own haunted science.

Plot Analysis

The issue begins years earlier at Keystone University, where Barry Allen lectures on superconductivity before getting a mysterious visit from Dr. Elenore Thawne. Once a promising physicist exiled from his field, Barry is coaxed back into forbidden research by Thawne, who promises to revive his career and fund his theories. Her hook is irresistible: continuing her grandfather Eobard Thawne’s secret wartime experiment, Project Blue Trinity.

Barry accompanies Thawne to Fort Fox, Colorado, where she reveals her grandfather’s clandestine work: an attempt to contact a dimension of “pure exotic living energy.” Through archival journals and eerie retellings, the story shifts into flashback, showing Eobard’s obsession spiral into disaster. A young Jay Garrick’s attempt to intervene ends with Eobard’s disappearance into the experiment’s blinding red matter.

Time jumps find Barry consumed by Thawne’s research. Two years later, their partnership frays as military funding turns Project Blue Trinity into a weaponized program. Colonel Rudy West and his son Wally arrive at the base, establishing the genesis of Barry and Wally’s first meeting, an awkward cafeteria conversation weighted by melancholy rather than heroism. Soon, Barry’s experimental team breaches the “Still Point,” a dimensional rift teeming with unsettling red energy and hints of alien structures. Their awe turns to fear when signs reveal that the first experimenters, perhaps even Eobard, never left.

As the rift destabilizes, Barry experiences visions of Thawne’s grandfather calling his name. Panic consumes the lab as the entity’s red tendrils reach out through the portal. The issue closes on future Barry screaming for Wally, his voice blending with the spectral call from within the energy, ending on a chilling image of the words: “Next: Rogues’ Revenge.”

Writing

Jeff Lemire pens Barry’s origin-like backstory with a scholar’s melancholy, painting the Flash as a man undone by brilliance and guilt. The dialogue between Barry and Elenore Thawne crackles early with intellectual tension, but the script drifts into exposition-heavy monologues by midpoint. The retcon of Barry’s first meeting with Wally (muted, clinical, and stripped of its original spark) feels misguided. While the revelation of Blue Trinity adds fascinating scientific lore to the Flash mythos, the emotional beats fail to land with impact when filtered through sterile pacing.

Art

Travis Moore’s linework maintains clean discipline, but the execution feels strangely lifeless. The wide lab panels and the rift scenes lack contrast or texture, making dense science fiction sequences appear flat. Adriano Lucas’s coloring is especially disappointing: the red energy that should pulse with danger instead looks muddy and underlit, robbing key scenes of their intended awe. The result is a visual tone at odds with Lemire’s cerebral storytelling.

Characters

Barry Allen’s characterization strikes a compelling balance between haunted scientist and reluctant hero, showing his addiction to discovery as both strength and curse. Elenore Thawne serves as an effective foil, equal parts visionary and manipulator, echoing her grandfather’s obsessive drive. Wally West appears briefly but effectively as a lonely kid adrift in a place of ghosts, though the rewrite of his first interaction with Barry trades its classic warmth for a detached awkwardness that undermines their future bond.

Positives

The backstory connecting Barry’s experiment to Thawne’s Blue Trinity project gives his powers a haunting lineage anchored in wartime paranoia and lost genius. Lemire smartly crafts thematic echoes between eras, turning the Speed Force into something more cosmic and cursed than usual. The best pages hum with eerie, almost Lovecraftian energy when the red matter begins to “speak” to Barry.

Negatives

The art’s flat color palette and uninspired composition choke the story’s scale. Emotional moments suffocate under dull gradients and dim red washes that drain energy instead of heightening tension. The retcon of the Barry-Wally meeting also lands poorly. It rewrites a defining connection into something cold and perfunctory, stripping away the heart that anchored their dynamic in earlier continuity.

About The Reviewer: Gabriel Hernandez is the Publisher & EIC of ComicalOpinions.com, a comics review site dedicated to indie, small, and mid-sized publishers.

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Final Thoughts

Absolute Flash #8 reaches for mythic depth but too often trips on its own circuitry. It’s an ambitious entry that reimagines Barry’s origin with rare intellect but delivers the spectacle in grayscale instead of lightning bolts. Under sharper coloring and a less tone-deaf retcon, this issue might have sprinted toward greatness; instead, it stumbles across the finish line, out of breath and missing a spark.

5.5/10

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